Focusrite Scarlett 18i8 (3rd gen)

18i8 has a way in for everyone, with four mic/line inputs, two of which double as instrument-ins, and four fixed line-ins. Then, you have four balanced line-outs and speaker switching plus two independent headphone outs to monitor, mix and play back however you want. Whatever you’re recording, wherever you are, you can take your whole studio with you.

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Description

The 3rd Generation Scarlett 18i8 gives you all the tools to record all your instruments in studio quality, anywhere. With its high channel count, compact size and a huge selection of software in the box, 18i8 is ready to record your band wherever you are.

  •  Four of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals
  •  Two high headroom instrument inputs, for plugging your guitar or bass straight in
  •  Eight balanced line inputs, for connecting synths or other line-level audio, and four balanced outputs, for monitoring and effects send
  •  Four monitor outs, featuring anti-thump tech and speaker switching

Focusrite Control makes it simple to route your audio and cue mix, loopback and monitor mixes, from your Mac®, PC, iPad®, iPhone® or iPod touch®. Send, stream, sample – simple.

Brand

Focusrite

Focusrite Nepal: The best interface should help you record your sound, exactly as it is. It should be ready to go when you are, never skipping a beat. It should be easy to use, removing pointless technical barriers that get in the way of you enriching yours and others' lives through music. We want to help you do this. We want to make music easier to make. We believe in a world where all musicians are able to record their own sound with ease. If we can remove pointless complexity, and in some way, inspire you to record, enable you to do so and support you on your journey, then our work here is done. Of course, we didn't always make audio interfaces. There wasn't always a computer! But those same principles applied. Back in the 80s, we made consoles. 12 to be precise. Probably the best sounding consoles ever made. It's a good story and one that has made us laugh and cry. If you've got a spare hour, perhaps it will inspire you. Focusrite Nepal: We're not alone on our mission. We have seven sister brands focussed on the same thing, but in different ways.

Specifications

SUPPORTED SAMPLE RATES

44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz

MICROPHONE INPUTS
Frequency Response: 20Hz – 20kHz ± 0.1dB
Dynamic Range: 111dB (A-weighted)
THD+N: <0.0012%
Noise EIN: -128dBu (A-weighted)
Maximum Input Level: 9dBu (at minimum gain)
Gain Range: 56dB
Impedance: 3kΩ

LINE INPUTS 1-4 (VARIABLE GAIN)
Frequency Response: 20Hz – 20kHz ± 0.1dB
Dynamic Range: 110.5dB (A-weighted)
THD+N: <0.002%
Maximum Input Level: 22dBu (at minimum gain)
Gain Range: 56dB
Impedance: 60kΩ

LINE INPUTS 5-8 (FIXED GAIN)
Frequency Response: 20Hz – 20kHz ± 0.1dB
Dynamic Range: 110.5dB (A-weighted)
THD+N: <0.002%
Maximum Input Level: 18dBu (at minimum gain)
Impedance: 44kΩ

INSTRUMENT INPUTS
Frequency Response: 20Hz – 20kHz ± 0.1dB
Dynamic Range: 110dB (A-weighted)
THD+N: <0.03%
Maximum Input Level: 12.5dBu (at minimum gain)
Gain Range: 56dB
Impedance: 1.5MΩ

LINE/MONITOR OUTPUTS
Dynamic Range (Line Outputs): 108dB
THD+N: <0.002%
Maximum Output Level (0 dBFS): 15.5dBu
Impedance: 430Ω

HEADPHONE OUTPUTS
Dynamic Range: 104dB (A-weighted)
THD+N: <0.002%
Maximum Output Level: 7dBu
Impedance: <1Ω

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